2013年6月27日星期四

The men wear in Milan: one foot in the real world

     She managed to pass the vacuum mode using the metaphor of world tourism. Refreshed by the sight of copies made of palm leaves and 1940s costumes, former members of the audience nostalgic and think: "From Here to Eternity". Meanwhile, junior editors white matter. They just want a pocket score.

Without trying to Ms. Prada has many suction cups on that day.

The people are so obviously not liking the court Ms. Prada has prepared for them, scared to swallow without tasting. Despite hosannas scenes, it must be very frustrating for a woman of her intellectual curiosity. On the other hand, if people do not understand its purpose - that is, our beliefs and ideas in question - so it's not his problem.

Either way, people will go right on buying the stuff without blinking, because of its associations with the brand.

Recap. Ms. Prada's show featured full size tropical printed silk costumes, on male and female models, disturbed before a painted backdrop of jungle leaves of a helicopter rotor. The photographs of boredom, even death are engraved in the truest sense: the exotic landscape, young innocent, a suspected attack or disaster. We have all seen the news.

Nevertheless, the public is - clings to his own clichés, based on completely obsolete cultural artifacts, such as before the Second World War, Hawaii - and I include myself. And it's not like clothes that distinctiveness. In fact, a striped suit from the 40s - a lawsuit today - is now considered obsolete safely.

But some of us rushed to greet him, said: "Nostalgia", "romance".

"Romance?" Ms. Prada said, frowning. "No, it's dangerous."

His idea was to challenge and show that under the hype, the reality is quite pessimistic about the notion of paradise. In fact, people are often unhappy and disconnected from tradition. Therefore, the models were not presented in pairs. It is interesting that she chose this particular idea, as it could also be applied to fashion and, to some extent, personal relationships. Well, maybe, tactically, it has decided not to make a direct reference to the mode.

It is also the land of Michel Houellebecq, whose novel "Platform" is located in the heart of the sex tourism industry in Thailand. Ms. Prada said in the past that they admired his work, and in all likelihood, it affects their thinking. Many critics believe Mr. Houellebecq people are safe, but he understands her obsession with products and brands, as well as youth and aspiration, and the relentless tide of junk they produced. For Ms. Prada, this should be fun to think about, this way of thinking like, but it must also issue its own role in feeding behavior.

Milan close to most other houses do not have to take risks. They used the new technology peak which combines all types of sportswear and fantasy utility with words such as "know-how" and "tradition" hype. This was the case of Salvatore Ferragamo, Neil Barrett and Calvin Klein, prominent T-shirts printed photo of a sunset, like a Raf Simons last season was.

Speaking of sore thumbs, man seemed Jil Sander designed as Accidental Tourist (based on the show notes), in its plain poplin shirt and great shorts, full cut with brogues and black socks.

At first I was not very happy with his collection of jackets stiff leather with a glossy finish and if I think that's why I say that I have not touched emotionally includes have impressed. It left me cold. But it's my weakness. Much of the new mode is more concerned with objective characteristics, such as shape and the potential to color the settings of a group.

Emerge in other collections efforts to modernize the costume was. The excellence of the new line of Stefano Pilati for Ermenegildo Zegna was based on subtle colors and break the suit with trousers in a slightly contrasting model. Giorgio Armani could be improvised? It was a nimble performance close fitting jackets in linen or chambray blue, inspired by workwear, with sophisticated controls and other adult separates in beige pink. My hope is that it's not quite so chivalrous towards women and give them something free like.

Missoni had the fresh air, enhanced by color and wonderful West Africa cardigans. At Gucci, Frida Giannini beaten twice - even with sportswear and madness classic floral prints done in the summer mixed suits. And if Tomas Maier, a 50 Jazz Club evoke view Bottega Veneta, with short gray suits meant jacketed style is mature.

But let's be honest, cares about fashion as an individual? And attempts to isolate it further? The answer is yes. "What we appreciate most about the youth," Mr. Houellebecq said, "which means that life automatically is depressing because it is getting old in general."




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